Estate Planning, Probate & Elder Law Attorneys

» 2-Star Stocks Poised to Plunge: MetLife?
Market-lagging returns could be written in these two stars.

» The Government-Induced Drought
Ron Muhlenkamp has a bleak outlook for the government's role in the future of financial markets.

» Her Fearful Symmetry, the Victorians, and Decapitation Provisions

The holiday break gave me a chance to finish Audrey Niffenegger's Her Fearful Symmetry, which I mentioned in my last post. There are a few references to probate and estate planning in the novel, but this is my favorite -- it's a quote given by one of the main characters (Robert) while he gives a tour of London's Highgate Cemetery (which plays a major role in the book).

"Before modern medical technology, people had a difficult time determining when someone was really dead. You might think that death would be pretty blatant, but there were a number of famous cases in which a dead body sat up and went on living, and many Victorians got the jim-jams just thinking about the possibility of being buried alive.

Being a practical people, they attempted to find solutions to the problem. The Victorians invented a system of bells with strings attached that went through the ground and into the coffin, so if you woke up underground you could pull on your bell till someone came to dig you up. There's no record of anyone being saved by one of these devices. People made all sorts of odd stipulations in their wills, such as asking to be decapitated as insurance against an undesired revival."

A Will with a decapitation provision? Excellent!

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» The Summer Hours

The Summer Hours is a French film directed by Olivier Assayas (he also directed Irma Vep), and starring Juliette Binoche. It's also one of the few films I've ever seen address how children deal with the loss of their parent. By "deal with," I mean both how they emotionally cope with the loss, and how they try to move forward and dispose of (in this case) their mother's belongings.

The film opens with the mother (75-year-old Hélène) surrounded by her children and grandchildren. She begins to tell her oldest son, Frédéric, how to dispose of her summer home and priceless art collection after her death. Once that death occurs, Frédéric and his siblings (Jérémie and Adrienne, who is played by Ms. Binoche) have to work through what to do in light of what is practical. Can the home be kept in the family? What about the art work? What about the French estate tax?

This isn't a film about huge family disputes -- the children all act like adults, and try to work things out. It IS, however, a beautiful movie about memory, art vs. commerce, and what it means to be a family. Highly recommended.